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Last updated on 02 September 2014
MEDIA APPRECIATION AND CRITICAL ANALYSIS
  1. Asiah Sarji. (1990). Penyiaran dan Masyarakat. Kuala Lumpur: Dewan Bahasa dan Pustaka.
  2. Bazin, A. (1979). What is Cinema? The Myth of Total Cineme. Dlm. Mast, G & Cohen, (Penyt.) Film Theory and Critism. Introductory Readings. New York: Oxford University Press. (TSDAS Digital Library: QA76.5 Fre)
  3. Belton, J. (1999). Movies and Mass Culture. London: Athlone.
  4. Earle, W. (1979). Revolt against realism in the films. Dlm. Gerald Mast & Marshall Cohen, Film Theory and Critism. Introductory Readings. New York: Oxford Univeristy Press (Hal.33-44).
  5. A.S. Hornby ; edited by Sally Wehmeier ; phonetics editor Michael Ashby. (2005). Oxford advanced learner’s dictionary of current English. Oxford : Oxford University Press. (TSDAS Digital Library:PE1628 Hor)
  6. Jowett, G & Linton, J.M.(1989). Movies as mass communication. Newbury Park: Sage. 2nd ed.
  7. Kolker, R. (2002). Film, form and culture. Boston: McGraw-Hill. 2nd ed.
  8. Lasswell, H.D.(1960). The structure and Function of Communication in Society Dlm. Wilbur Schramm. (Penyt) The Mass Communications. Urbana:University of Illionis Press
  9. Marshall Cohen. (2004). Film theory and criticism : introductory readings. New York: Oxford University Press. (TSDAS Digital Library: PN1994 Fil)
  10. Orlik, P.B.(1988). Critiquing radio and television content. Boston, Massachusetts: Allyn & Bacon.
  11. kracauer, A. (1979). Theory of Film. Basic Concept.. Dlm. Gerald Mast & Marshall Cohen (Penyt), Film theory and criticism : introductory readings. New York: Oxford Univeristy Press
  12. Perkins, V.F.(1979). Form and Discipline. Dlm. Gerald Mast & Marshall Cohen (Penyt), Film theory and criticism : introductory readings. New York: Oxford Univeristy Press
  13. Schramm, W. (penyt.) (1960). The Mass Communications. Urbana: University of Illinois Press.
  14. Zettl, H. (1981). Television Aesthetics. Dlm. Richard P. Adler (penyt). Understanding Television. Essays On Tellevision as a Social and Cultural Force. New York: Praeger.
  15. Bordwell, D. & Thomson, K. (1986). Film Art: An Introduction. New York: Alfred A. Knopf. 2nd ed.
  16. Sparshott, F.E.(1979). Basic Fim Aesthetics. Dlm. Gerald Mast & Marshall Cohen (Penyt), Film theory and criticism : introductory readings. New York: Oxford Univeristy Press
  17. Hamzah Hussin. (1997). Memoir Hamzah Hussin. Dari Keris Film ke Studio Merdeka. Bangi: Universiti Kebangsaan Malaysia.
  18. Jamil Sulong, Hamzah Hussin & Abdul Malik Mokhtar (penyunting).. (1993). Daftar Filem Melayu. (1933-1993). Hulu Kelang: Perbandaran kemajuan Filem Nasional.
  19. Jamil Sulong. (1990). Kaca permata: Memoir seorang pengarah. Kuala Lumpur: Dewan Bahasa dan Pustaka.
  20. Mansor Bin Putih. (1995). Kritikan Filem. Kuala Lumpur: Utusan Penerbitan dan percetakan.
  21. Naim Haji Ahmad. (1995). Filem Sebagai Alat dan Bahan Kajian. Serdang: Penerbit Universiti Pertanian Malaysia.
  22. Rahim Razali. (2004). Ceramah Filem. Bangi: Institut Alam dan Tamadun Melayu, Universiti kebangsaan Malaysia.
  23. Sharifah Zinjuaher H.M Ariffin & Hang Tuah Arshad. (1980). Sejarah Filem Melayu. Kuala Lumpur: penerbit Sri Sharifah.
  24. Crowther, B. (1988). Film Noir:Reflections in a Dark Mirror. London: Virgin.
  25. Derry, C. (1988). The Suspense Thriller: Films in the Shadow of Alfred Hitchcock. Jefferson:MacFarland.
  26. Haskell, M. (1974). From Revenge to Rope: The Treatment of Women in the Movies. New York: Holt, Rinehart and Winston.
  27. Hayward, S. (2000). Cinema Studies: The Key Concepts (ed. 2) London: Routledge. Ebrary (OUM Digital Colletion)
  28. Neale, S. (2000). Genre and Hollywood. London: Routledge. Ebrary (OUM Digital Colletion)
  29. Partridge, E. (1961). Dictionary of Slang and Unconventional English, Vol. 2. London: Routledge and Kegan Paul.
  30. Roberts, G & Wallis, H. (2001). Introducing Film. London: Arnold.
  31. Boroff, D. (1966). Television and the Problem Play. In Patrick D. Hazard, TV as Art: Some Essays in Criticism. Illinois: National Council of Teachers of English.
  32. Ellis, J. (1982). Visible Fictions. London: Routledge and Kegan Paul. Ebrary (OUM Digital Colletion)
  33. Ramli Mohamed. (2003). (Penyunting). Sinema dan Penontonan di Malaysia. Pulau Pinang: Universiti Sains Malaysia. (TSDAS Digital Library: PN1993.5 M4Sin)
  34. Asiah Sarji, Mohd Hamand Adnan & A. Wahab Hamzah. (2003). Kamus Komunikasi Massa. Kuala Lumpur: Dewan Bahasa dan Pustaka. (TSDAS Digital Library: PL5087.3 M414Kam)
  35. Friedmann, A. (2001). Writing for Visual Media. Unied States Of America: Focal Press. (TSDAS Digital Library: P96 A86Fri)
  36. Nealmes, J. (2003) An Introduction to Film Studies (3rd ed.). London: Routledge. (TSDAS Digital Library: PN1994 Int)
  37. Oxford Advanced Learner’s Dictionary. (2001). Great Britain: Oxford University Press. (TSDAS Digital Library: PE1628 Hor)
  38. Lev, P. (2000). American Films of the 70’s: Conflicting Visions. Austin: University of Texas Press. Ebrary (OUM Digital Collection)
  39. Elsaesser, T. & Buckland, W. (2002). Studying Contemporary American Film: A Guide to Movie Analysis. London: Arnold.
  40. Stephenson, R. & Jean R. D.(1976). The Cinema as Art. (2nd ed.). Middlesex: Penguin Books.

 


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